Richard Strauss - Bavarian Radio Symphony Orchestra • Lorin Maazel - Lorin Maazel Conducts Richard Strauss Also Sprach Zarathustra / Don Juan / Rosenkavalier Suite flac album

Richard Strauss - Bavarian Radio Symphony Orchestra , Lorin Maazel ‎– Lorin Maazel Conducts Richard Strauss Also Sprach Zarathustra, Don Juan, Rosenkavalier Suite. Label: BMG Classics ‎– 09026-68225-2, RCA Victor Red Seal ‎– 09026-68225-2. A sonic spectacular, in lush Dolby Surround™ sound, of Richard Strauss's most popular and splendorous works. Recorded February 6-8, 1995, at the Herkulessaal der Münchner Residenz.

Richard Strauss's gift for evocative musical description was uncanny, to the point where it was joked he could set even a grocery list or a pint of beer to music. In fact, his various tone poems-the form with which he first gained fame as a composer-actually develop an orchestral vocabulary to depict topics ranging from Nietzsche's Superman to a fierce storm on the Alps and a day in the life of a nuclear family. Maazel-currently music director of the Orchestra of the Bavarian Radio, an ensemble of high-powered soloists modeled on Toscanini's famous NBC orchestra-is returning to some of these works for his third take, and his vision seems to have clarified in particular for the vistas of Ein Heldenleben and the Alpine Symphony as for the idealistic poetry of Death and Transfiguration. 11. Don Juan, O. 0 - SO Des Bayerischen Rundfunks/Lorin Maazel.

Also sprach Zarathursa (Staatskapelle Dresden feat. conductor Rudolf Kempe). Don Juan, op. 20. 20, Till Eulenspiegel, op. 28, Death and Transfiguration, op.

2. Of The People of The Unseen World. 3. Of Joys and Passions. 4. Of The Great Longing. 9. The Song of The Night-Wanderer.

Lorin Maazel usually is a very good Strauss conductor, and he's at his best in these live recordings. He launches Don Juan with considerable gusto, and only the quiet passage before the famous horn theme sounds as if it could move a bit more purposefully forward. The orchestra plays extremely well, as it does in Death and Transfiguration, an interpretation full of excitement and (at the end) exaltation, and without a trace of the affectation that sometimes mars Maazel's work.

For Orchestra (Strauss). See: Der Rosenkavalier, suite, TrV 227d (1945) Walzerfolge N. aus 'Der Rosenkavalier' compiled in 1944 from Acts I and II and Walzerfolge N. aus 'Der Rosenkavalier', compiled in 1911 from Act III. For Cello (Dechert). Orchestral Studies - Cello Score - . 7MB, 57 pp. - . /10 2 4 6 8 10 (-) - V/V/20 - 1299 ⇩ - Generoso. 3 clarinets (B♭, A, C, D, 3rd also E♭ clarinet), bass clarinet (B♭, A, also basset horn), 3 bassoons (3rd also contrabassoon). 4 horns (E, E♭, F, D), 3 trumpets (E, E♭, F, C, B♭, D), 3 trombones, bass tuba timpani, percussion (3 players). bass drum, cymbals, triangle, tambourine, glockenspiel, ratchet, large drum, snare drum, tubular bells, sleighbells, castanets.

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Strauss began composition in the late summer of 1888 and completed the work on 18 November 1889. The work is dedicated to the composer's friend Friedrich Rosch. The music depicts the death of an artist. New York City Symphony Orchestra. Bavarian Radio Symphony Orchestra. Also sprach Zarathustra.