Various - Diggin Volume Six flac album

Various - Diggin' For Gold Volumes 1-5 (A Collection of Demented 60's R&B/Punk & Mesmerizing 60's Pop) (Box, Cla + 5xCD, Comp, Mono). Label:Rubble (2) N° de Cat: RUB5CDBOX9. Various - Bass Culture Volume Two: Boss Sounds - Early Reggae 1968-1972 (2xCD, Comp). Label:Nascente N° de Cat: NSBASS002. tat du Média: Média: Mint (M) État de la Pochette: Pochette: Mint (M).

Various - Diggin' For Gold Volumes 1-5 (A Collection of Demented 60's R&B/Punk & Mesmerizing 60's Pop) (Box, Cla + 5xCD, Comp, Mono). Etichetta:Rubble (2) N. cat: RUB5CDBOX9. Etichetta:Nascente N. cat: NSBASS002. Condizione supporti: Supporti: Mint (M) Condizione copertina: Copertina: Mint (M).

Used items may have various cosmetic differences as well. Beach Diggin' Vol 3 – Hand Picked By Guts & Mambo (with download). LP (Item 759069) Heavenly Sweetness (Netherlands), 1960s/1970s - Condition: New Copy. LP, Vinyl record album. Volume 3 includes sun toasted sounds from tropical climates, plus similar-minded numbers from the US and even Canada – from easygoing Rhodes-led soul from Trinidad & Tobago, to breezy brass from Tunisia, to Jamaican disco and well beyond! The tunes might go as far back as the 60s, but certainly includes some great ones from the 70s and early 80s – all pretty obscure stuff that's well worth digging up!

Deep Six is a compilation album featuring six Seattle-based alternative rock bands and was released in 1986. It was the very first release by C/Z Records with a catalogue number of CZ01 for 2,000 copies. The album was reissued as a joint C/Z Records/A&M Records release on April 5, 1994. The album was compiled by Seattle locals Chris Hanzsek and Tina Casale of CZ Records to showcase what was going on in the Seattle rock community at this time by drawing on the talents of six like-minded bands

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Home Deep House Dutchie Music Various . Diggin In The Crates: Volume 2. VARIOUS. Dutchie Music. Cat: DUTCHIE 118 Released: 10 December, 2010 Genre: Deep House. What is Album Only? Some artists and labels prefer certain tracks to be purchased as part of an entire release.

Diggin’ can be divided roughly into two camps. On the one hand there are tracks that seem purely synthetic, using warm waveforms to create the sorts of rich, moody sounds that Stranger Things now fetishizes. Elsewhere there are tracks that seek to faithfully mimic acoustic instruments. But there’s something in Diggin’ in the Carts that defies interpretation or modernization. As with library-music treasure troves, beloved hold music, and even certain pared-back DJ tools, the commercial, functional nature of this work sets it free from from the stranglehold of auteurism. The juxtaposition of undeniable ambition with now-discarded and obsolete technology makes for a potent and nostalgic listening experience.