- Performer Fretwork
- Title 16th Century Music For Viols
- Style Renaissance
- Other formats AA MP1 AC3 VQF AU AUD DTS
- Genre Classical
- Size MP3 1423 mb
- Size FLAC 1847 mb
- Rating: 4.3
- Votes: 964
In Nomine à 4 no. 1 for 4 viols. Fretwork, Rose Consort of Viols. 2. Solfaing Song à 5 for 5 viols, lute. 3. Fantasia à 5 for 5 viols. 4. In Nomine à 4 no. 2 for 4 viols. 5. Libera nos, salva nos à 5 for 5 viols, lute.
The Rose Consort of Viols is an English ensemble of viol players that perform mainly early consort music. The name was taken from a famous family of viol makers.
Tallis: Complete Consort Music. 1. Composed By – Tallis. Performer – Fretwork (tracks: 1-5, 13-20), Rose Consort Of Viols (tracks: 6-12). Remastered By – Paul Arden-Taylor.
An early music ensemble is a musical ensemble that specializes in performing early music of the European classical tradition from the Baroque era and earlier - broadly, music produced before about 1750. Ricercar Consort (Philippe Pierlot): baroque cantatas. Vox Luminis (Lionel Meunier): 16th to 18th century Italian, German, and English vocal music. Académie Baroque de Montréal (Suzie LeBlanc), Canada. Ensemble Claude-Gervaise, Montréal: Studio de musique ancienne de Montréal (Christopher Jackson), Canada: mostly music of the Renaissance and early Baroque.
The Rose Consort of Viols is an English ensemble of viol players who perform mainly early consort music, including works by Orlando Gibbons, John Dowland, and Henry Purcell. They have performed around the world at many events, have appeared a number of times for the BBC, and have made a number of recordings, several of which have been made in collaboration with Red Byrd, a vocal group from Hyperion Records.
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The first consort of viols formed by four players was documented at the end of the fifteenth century in the courts of Mantua and Ferrara, but was also present in popular Venetian music ambience, noted at the Scuola Grande di San Marco, 1499; Venetian culture remained independent of Spanish influence and consequently unfamiliar with the instruments of those lands, such as the bowed. It was also common to play music for violins or flutes or unspecified top parts on small viols. Historic viols survive in relatively great number, though very few remain in original condition. They can often be found in collections of historic musical instruments at museums and universities.
Contrapunto 77 Costanzo Festa; The Rose Consort of Viols. Contrapunto 103 Costanzo Festa; The Rose Consort of Viols. Contrapunto 93 Costanzo Festa; The Rose Consort of Viols. Palle, Palle, Palle Heinrich Isaac; The Rose Consort of Viols. A highly-acclaimed album of journeying and exploration, Serenissima pays homage to pan-European tendencies, tracing a path from the viol’s northern Italian origins to England, where it found a particularly welcome home at the turn of the 1600s. The Rose Consort of Viols, already acclaimed for its recordings of later English repertoire, has been inspired by viol maker Richard Jones’s reconstructions of a Venetian instrument, the earliest viol surviving from the 16th century. 96 kHz, 24-bit PCM – Delphian Studio Masters. For Your Consideration More ▸.
| Tallis: Complete Consort Music | ||
| 1 | In Nomine À 4 No. 1 For 4 ViolsComposed By – Tallis* |
2:55 |
| 2 | Solfaing Song À 5 For LuteComposed By – Tallis* |
2:32 |
| 3 | Fantasia À 5 For 5 ViolsComposed By – Tallis* |
3:26 |
| 4 | In Nomine À 4 No. 2 For 4 ViolsComposed By – Tallis* |
2:30 |
| 5 | Libera Nos, Salva Nos À 5 For 5 Viols, LuteComposed By – Tallis* |
1:49 |
LachrimaeComposed By – Dowland* |
||
| 6 | Pavan: Lachrimae Antiquae ("Ancient Tears") | 4:04 |
| 7 | Pavan: Lachrimae Antiquae Novae ("New Ancient Tears") | 3:47 |
| 8 | Pavan: Lachrimae Gementes ("Groaning Tears") | 4:02 |
| 9 | Pavan: Lachrimae Tristes ("Sad Tears") | 5:04 |
| 10 | Pavan: Lachrimae Coactae ("Forced Tears") | 3:32 |
| 11 | Pavan: Lachrimae Amantis ("Lovers' Tears") | 4:59 |
| 12 | Pavan: Lachrimae Verae ("True Tears") | 6:03 |
| 13 | In Nomine À 5 'Crye' For 5 ViolsComposed By – Tye* |
1:56 |
| 14 | Fa La Sol À 3 For 3 ViolsComposed By – Cornysh* |
5:55 |
| 15 | In Nomine À 5 For 5 Viols, LuteComposed By – Bull* |
2:45 |
| 16 | Fantasia À 3 No. 3Composed By – Byrd* |
1:13 |
| 17 | In Nomine À 5 For 5 ViolsComposed By – Parsons* |
1:50 |
| 18 | O Lux Beata Trinitas À 3 For 3 Viols, LuteComposed By – Preston* |
|
| 19 | Fantasia À 4 For 4 Viols, LuteComposed By – Ferrabosco* |
|
| 20 | In Nomine À 4 For 4 ViolsComposed By – Taverner* |
1:51 |
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