- Performer Miles Davis
- Title Get Up With It
- Date of release 1974
- Other formats WAV APE XM WMA ASF FLAC MP3
- Genre Jazz
- Size MP3 1475 mb
- Size FLAC 1964 mb
- Rating: 4.9
- Votes: 362
Get Up with It is a compilation album by American jazz trumpeter, bandleader, and composer Miles Davis. Released by Columbia Records on November 22, 1974, it compiled songs Davis had recorded in sessions between 1970 and 1974, including those for the studio albums Jack Johnson (1971) and On the Corner (1972). In The Rolling Stone Album Guide (2004), J. D. Considine described the compilation's music as "worldbeat fusion".
With Get Up With It, Miles began the most defiant shift of his storied career, dropping a totemic yet untidy leviathan that rebuffed jazz fans and critics alike. The sessions that comprise Get Up span four years and include a roster that reflects Miles and the transitory nature of his ever-molting priorities: Herbie Hancock, Keith Jarrett, Billy Cobham, Al Foster, Airto, John McLaughlin, Reggie Lucas, Pete Cosey, James Mtume, David Liebman, and many more appear.
Get Up With It (2xLP, Album). Get Up With It (2xCD, Album, RE, RM). Sony Records.
Get Up With It was Miles' last studio album before he took a long break, and shows him at the absolute apex of his mid-70s creativity. Get Up With It' is a collection of tracks that Davis and company recorded over the early half of the '70s, and although it is considered by many fusion afficionados to be among Davis' finest works, it seems to me that the man's ravenous drug habit was beginning to lead to some miscalculations on his part.
Get Up With It is a compilation album that contains songs from various recording sessions between 1970-1974. The album is one of Miles Davis' most experimental, fusing jazz with psychedelia, rock, soul, blues, worldbeat, as well as elements of ambient music that producer Brian Eno would cite as inspiration for his own work. Davis plays his signature trumpet, while also providing organ & electric piano. Many of Davis' previous collaborators, from 0Herbie Hancock to John McLaughlin, make guest appearances on multiple tracks . While the album wasn’t received well at the time of its release, Get Up With It has acquired retrospective praise, being described as one of Davis' best & most forward-thinking projects. Get Up with It Q&A.
Miles Davis' 1974 album "Get Up With It" is a collection of tracks recorded between 1970 and 1974. Released as a double LP, it was Davis' last studio album before five years of retirement from music. This album is an essential. An overlooked classic of Psychedelic Soul, representing the best of Miles Davis' experiments in the fusion of Rock, Funk, Electronica and Jazz.
I will start with the Opus’, Calypso Frelimo, and He Loved Him Madly ; these are sort of Yin and Yang compositions. Calypso is nearly 30 minutes of unrelenting driving hard funk, with some long stretches of Michael Henderson’s droning bass lines. David Liebman plays some very nice flute, and John Stubblefield handles the sax duties, both are stellar and have plenty of ideas
Miles Davis' 1974 double album, 'Get Up With It'. A jazz fusion album in the best way possible, many of the tracks feature Miles blasting off into space on the organ. African percussion, tabla, and sitar is heard throughout; which at times gives it a repetitive groove which many would probably liken to krautrock. My standout track here is the opener, 'He Loved Him Madly' - a tender but spacey homage to Duke Ellington, which isn't surprising given the inscription in the gatefold, 'For Duke' .
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