Grant Green - Feelin' The Spirit flac album

For Feelin' the Spirit, Green takes five traditional, public-domain African-American spirituals (plus the CD bonus track "Deep River") and gives them convincing jazz treatments in a ine setting. Green's light touch and clear tone match very well with the reverent material, and pianist Herbie Hancock is tremendous in support, serving the needs of the music and nailing the bright gospel style perfectly.

Exclusive discount for Prime members. Sample this album Artist (Sample). I admit a bit of bias here. I know Charlie Christian and Wes Montgomery are considered the gods of jazz guitar, but there’s almost nothing Grant Green plays that I wouldn’t listen to. There’s something singular about his style. A purity, a joyfulness and a forcefulness that sets him apart from other jazz guitarists. IDLE MOMENTS is understandably the one Green album that gets a lot of attention from both fans and critics. But from the first time I heard this album, I loved it.

Guitar – Grant Green. Liner Notes – Joe Goldberg. Photography By – Francis Wolff. Feelin' The Spirit ‎(LP, Album).

UMG (от лица компании "TP4 Music"); Bicycle Music Co. (Publishing)" и другие авторские общества (6).

By: Grant Green (1963, Jazz). More albums from Grant Green: Blues For Lou by Grant Green. Funk in France: From Paris to Antibes (1969-1970) by Grant Green. Slick! – Live at Oil Can Harry’s by Grant Green. Live At Club Mozambique by Grant Green. Alive! by Grant Green. Visions by Grant Green. Goodnight, It’s Time To Go by Grant Green. Remembering by Grant Green. View all albums . Feelin’ The Spirit. By: Grant Green (1963, Jazz). 1. Just A Closer Walk With Thee. 2. Joshua Fit De Battle Ob Jericho. 3. Nobody Knows The Trouble I’ve Seen.

Visions is an album by American jazz guitarist Grant Green featuring performances recorded in 1971 and released on the Blue Note label. Does Anybody Really Know What Time It Is?" (Robert Lamm) - 5:10.

Blues for Lou is an album by American jazz guitarist Grant Green featuring performances recorded in 1963, but not released on the Blue Note label until 1999. The album combines recordings from two different sessions, and the title track is named for saxophonist Lou Donaldson