Richard Wagner - Der Ring Des Nibelungen - Great Scenes flac album

The four operas of Richard Wagner's cycle Der Ring des Nibelungen together take about 15 hours, which makes for several records, tapes, or CDs, and a lot of studio time. For this reason, many full Ring recordings are the result of "unofficial" recording of live performances, particularly from the Bayreuth Festival where new productions are often broadcast by German radio.

Album · 2013 · 7 Songs. Wagner: Der Ring des Nibelungen (The Ring of the Nibelung) – Great Scenes Sir Georg Solti.

The works are based loosely on characters from the Norse sagas and the Nibelungenlied. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a Vorabend ("preliminary evening"). It is often referred to as the Ring Cycle, Wagner's Ring, or simply The Ring.

Wagner: Der Ring des Nibelungen (highlights). Der Ring Des Nibelungen. Wagner: Der Ring des Nibelungen. Wagner: Der Ring des Nibelungen-Great Scenes, Solti. On here we find the highlights from each of the operas, grand albeit short scenes. From Das Rheingold we are treated to the opening scene in which the lusty dwaf Albrecht (sung in Nietzschean nastiness by Neidlinger) proposes sex with the beautiful and nubile Rhinemaidens. He is scorned and for revenge and a desire for power steals the Rhinegold.

The composition of the operatic tetralogy The Ring of the Nibelung occupied Richard Wagner for more than a quarter of a century. Conceived around 1848, the work was not finished until 1874, less than two years before the entire cycle was given its premiere at Bayreuth. Most of this time was devoted to the composition of the music, the text having been largely completed in about four years.

Wagner: Der Ring des Nibelungen - Great Scenes. Wagner: Der Ring des Nibelungen - Great Scenes.

Der Ring des Nibelungen, or the Ring cycle, is an unsurpassed exaltation of German heritage and mythology. In places, Wagner tells the story with the orchestra, using of melody that convey emotions and themes as they recur in varying contexts. It is even possible for the orchestra to convey ideas that are hidden from the characters themselves-an idea that later found its way into film scores. Wagner was perpetually in need of funds, and the Ring would be extremely expensive to stage. She reflects upon Siegfried and upon the tragic failure of Wotan’s plan that this great hero would become the earth’s salvation. Sending word of events to Valhalla, Brünnhilde mounts her horse and rides determinedly into the flames, joining Siegfried in death. The flames blaze high, the Rhine rises, and the Rhinemaidens take hold of the Ring.