Bob Dylan - Fallen Angels flac album

Fallen Angels is the 37th studio album by Bob Dylan, released by Columbia Records on May 20, 2016. The album consists of cover versions of twelve classic American songs chosen by Dylan from a diverse array of writers such as Johnny Mercer, Harold Arlen, Sammy Cahn and Carolyn Leigh. Much like the album's predecessor, Shadows in the Night, every song on the album, except for "Skylark", was once recorded by Frank Sinatra.

Fallen Angels may have been recorded at the same session as 2015's moody Shadows in the Night, but its tone is very different. Call Fallen Angels the Nice 'n' Easy to the No One Cares of Shadows in the Night: they're both tributes to Frank Sinatra, but the 2016 album is light at heart. It's filled with songs of love, not heartbreak, and Dylan's band plays the numbers as sweet shuffles that function as a counterpart to the gloomy saloon tunes that filled Shadows in the Night.

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Fallen Angels is the thirty-seventh studio album by Bob Dylan, released by Columbia Records on May 20, 20161. The album consists of cover versions of twelve classic American songs chosen by Dylan from a diverse array of writers such as Johnny Mercer, Harold Arlen, Sammy Cahn and Carolyn Leigh1 Much like the album's predecessor, Shadows in the Night, every song on the album, except for "Skylark", was once recorded by Frank Sinatra2

Bob Dylan’s latest album sees him once again return to the Great American Songbook, 12 months after finding critical success with previous effort, Shadows In The Night. With so many tracks left over from the Shadows sessions, cheerful Bobcats (as such fans are known!) must have had an inkling that a follow up to the album of songs made famous by Frank Sinatra was in the pipeline. That it manages to scale the heights of its forebear is likely to be equally good news.

Dylan’s 37th album is a sincere and enjoyable release, with sumptuous arrangements and captivating vocal performances. There is a pervading sense of mortality throughout the recordSimon Murphy. Blonde on Blonde, arguably Dylan’s greatest work, may have turned fifty years old, but Fallen Angels proves that Bob still has something to say. Of course, the album does not come close to his sixties’ heights, but that is not Dylan’s intention at this point in his career. On Fallen Angels, like on Shadows in the Night before it, Dylan sings with no political or personal agenda, but purely out of a respect for his forbearers and a love for his craft

Dylan’s particular, oddball point in bringing up the trend was to illustrate the absurd degree to which he was still viewed as a man apart. The axioms in the songs on Fallen Angels were written to speak to various familiar moments of the human experience. With Dylan, though, the universal truth in these compositions-that word is littered throughout his Musicares tirade-doesn’t reflect easily, or even deliberately uneasily, back on him. In his muse Sinatra’s case, of course, such truth came easy: The singer was at the bar until last call in both the tabloids and on his albums, probably bemoaning Ava Gardner’s latest tryst. But there’s no clear through-line to Fallen Angels ’ subject matter, no point of view.

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