Fantasiestucke Op. 111. B1. Molto Vivace Ed Appassionatamente. B2. Piu Tosto Lento - Un Poco Piu Mosso - Tempo I. B3. Con Forza, Assai Marcato. Schumann, Claudio Arrau.
14, Grand Sonata No. 3 in F minor, Concerto Without Orchestra (1835). Op. 15, Kinderszenen (Scenes From Childhood) (1838). 11, Grand Sonata No. 1 in F-sharp minor (1835). 12, Fantasiestücke (Fantasy Pieces) (1837). 13, Symphonic Studies (Études symphoniques) (1834). 124, Album Leaves (Albumblätter) (1832–1845) (includes one piece previously part of WoO 31) for piano. 125, 5 heitere Gesänge (1851).
The Fantasie in C major, Op. 17, was written by Robert Schumann in 1836. It was revised prior to publication in 1839, when it was dedicated to Franz Liszt. The Fantasie has been recorded many times, including versions by Martha Argerich, Claudio Arrau, Vladimir Ashkenazy, Wilhelm Backhaus, Leonard Shure, Daniel Barenboim, Alfred Brendel, Clifford Curzon, Sándor Falvai, Edwin Fischer, Nelson Freire, Vladimir Horowitz, Wilhelm Kempff, Alicia de Larrocha, Murray Perahia, Maurizio Pollini, Sviatoslav Richter, Burkard Schliessmann, Mitsuko Uchida, Lars Vogt and Vladimir Sofronitsky. Sonata No. 1 in F-sharp minor, Op. 11. 2 in G minor, Op. 22. 3 in F minor, Op. 14 "Concerto without orchestra". List of solo piano compositions by Robert Schumann.
Schumann Project: The Complete Piano Solo Music. Alpha, Alpha Productions. Schumann: Piano Sonata No. 1, Op. 11; Chopin: Ballade No. 23; Brahms: Piano Quartet No. 1. Centurion Classics. Schumann: Piano Works.
Beethoven: Violin Sonata No. 4 in A minor, Op. 23. Arthur Grumiaux (violin), Claudio Arrau (piano). Show 152 remaining works on this recording. Beethoven: Violin Sonata No. 5 in F major, Op. 24 'Spring'. 7 in C minor, Op. 30 No. 2. Chopin: Piano Concerto No. 1 in E minor, Op. London Philharmonic Orchestra. Claudio Arrau (piano). 2 in F minor, Op. 21.
Claudio Arrau plays Schubert Sonata . 94. Schumann: Sonata N. in F-sharp minor, O. 1 (Perahia). The tenth etude is articulate and humorous, the eleventh the only one cast in a key other than C sharp minor; its grim key of G sharp minor and foreboding left-hand texture take the listener into the despairing depths of Schumann's craft. Etude No. 12, the finale, is cast in the altogether brighter key of D flat major, and employs a theme from an opera by Heinrich Marschner as its basic material; its joyful dotted rhythms and Allegro brillante atmosphere make for an appropriately exciting conclusion. Robert Schumann: Fantasiestücke Op. 12 (1837).
TITLE added to MP3 cart. Lauren Eberwein. "Please retry". 11 Early Lieder: No. 7, An Anna II. by Lauren Eberwein. 7, An Anna II by Lauren Eberwein. In MP3 cart View MP3 Cart. Piano Sonata No. 11: Ia. Introduzione.
Fantasy Pieces, O. 3. Opus/Catalogue NumberOp. I-Catalogue NumberI-Cat. No. IRS 33. Key. A minor. For a detailed discussion of this work, its sources and first performers, see the article Deconstructing Schumann's Fantasiestücke, O. 3 by R. Reissenberger and E. Hoepric. Early Music, Vo. 2 N. August 2014). php?title Fantasiestücke, Op. 73 (Schumann, Robert)&oldid 2814102.